Camille Corot, 1835. gads - Hagars tuksnesī - tēlotājas mākslas druka
PVN iekļauts. Piegāde aprēķināta Pie izrakstīšanās
Oriģināls mākslas darbu apraksts no muzeja tīmekļa vietnes (© Autortiesības - Metropolitēna mākslas muzejs - www.metmuseum.org)
This picture, shown at the Salon of 1835, is the earliest of four large, ambitious biblical paintings that Corot exhibited in the 1830s and 1840s. Like the Museum’s The Burning of Sodom, it illustrates the story of the family of Abraham. Because his wife, Sarah, was elderly and barren, Abraham fathered a son, Ishmael, with their servant, Hagar. Later, when Sarah bore her own son, Isaac, Hagar and Ishmael were driven away into the desert of Beersheba. For this painting, Corot chose the moment of their divine salvation. The largely arid landscape is Corot’s invention, but is partially based on nature studies including the Museum’s Fontainebleau: Oak Trees at Bas-Bréau.
Summary of this artwork painted by the French artist with the name Kamille Korota
Šis mūsdienu mākslas mākslas darbs Hagar in the Wilderness tika izveidots reālists master Camille Corot. The original measures the exact dimensions: 71 x 106 1/2 in (180,3 x 270,5 cm) and was painted on the medium eļļa uz audekla. Nowadays, the work of art forms part of the The Metropolitan Museum of Art's digital collection. This artwork, which belongs to the publiski is supplied with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1938. Creditline of the artwork: Rodžersa fonds, 1938. gads. Līdzinājums ir iekšā ainava formāts ar malu attiecību 4: 3, kas to nozīmē garums ir par 33% garāks nekā platums. The painter Camille Corot was a European artist from France, whose style was primarily Realism. The French painter was born in the year 1796 un aizgāja mūžībā vecumā 79 gadā 1875.
Atlasāmi izstrādājumu materiāli
Katram produktam mēs piedāvājam dažādus materiālus un izmērus. Individualizācijai ir pieejamas šādas iespējas:
- Audekls: A canvas direct print is a printed canvas stretched on a wood frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up the Canvas print without additional wall-mounts. A canvas print is suited for any kind of wall.
- Plakāta druka uz audekla materiāla: Our poster is a printed flat cotton canvas with a slightly rough finish on the surface. The poster print is suited for placing your art print in a customized frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the print, which facilitates the framing with your custom frame.
- Metāla apdruka (alumīnija dibons): This is a metal print manufactured on aluminium dibond with a true depth effect, which makes a contemporary impression thanks to a non-reflective surface structure. For our Direct Print On Aluminum Dibond, we print the artwork on the aluminium white-primed surface. The bright parts of the original artwork shimmer with a silk gloss but without glare. The colors of the print are luminous and vivid, the details are very clear.
- Drukāt uz spīdīga akrila stikla: The print on acrylic glass, which is often described as a an art print on plexiglass, changes the original artwork into wonderful wall decoration. Your own replica of the artwork is manufactured with the help of modern UV print machines. The effect of this are deep and rich colors. The major upside of an acrylic glass print is that sharp contrasts as well as painting details become more recognizeable with the help of the fine tonal gradation of the picture.
Mākslinieka pārskats
Mākslinieka vārds: | Kamille Korota |
Mākslinieka dzimums: | vīrietis |
Pilsonība: | Franču |
Mākslinieka darbi: | gleznotājs |
Mākslinieka valsts: | Francija |
Mākslinieka klasifikācija: | mūsdienu mākslinieks |
Mākslas stili: | Reālisms |
Mūžs: | 79 gadiem |
Dzimšanas gads: | 1796 |
Miris: | 1875 |
Strukturētas mākslas darbu detaļas
Mākslas izstrādājuma nosaukums: | "Hagar in the Wilderness" |
Klasifikācija: | glezna |
Vispārējs termins: | modernā māksla |
Laiks: | 19th gadsimts |
Mākslas darba gads: | 1835 |
Mākslas darba vecums: | vairāk nekā 180 gadus vecs |
Oriģināls mākslas darba nesējs: | eļļa uz audekla |
Oriģinālais mākslas darba izmērs: | 71 x 106 1/2 collas (180,3 x 270,5 cm) |
Muzejs / kolekcija: | Metropolitēna mākslas muzejs |
Muzeja atrašanās vieta: | Ņujorka, Ņujorka, Amerikas Savienotās Valstis |
Muzeja mājas lapa: | www.metmuseum.org |
Mākslas darba licences tips: | publiski |
Pieklājīgi no: | Metropolitēna mākslas muzejs, Ņujorka, Rodžersa fonds, 1938. gads |
Kredītlīnija: | Rodžersa fonds, 1938. gads |
produkts
Izdrukas produkts: | mākslas kopija |
Pavairošana: | reproducēšana digitālā formātā |
Ražošanas process: | digitālā druka (tiešā UV druka) |
Produkta izcelsme: | Vācija |
Krājumu veids: | pēc pieprasījuma |
Produkta lietošana: | sienas galerija, mākslas kolekcija (reprodukcijas) |
Mākslas darba orientācija: | ainavas izlīdzināšana |
Attēla attiecība: | 4: 3 garums līdz platumam |
Laukuma attiecības nozīme: | garums ir par 33% garāks nekā platums |
Pieejamās iespējas: | akrila stikla apdruka (ar īsta stikla pārklājumu), metāla apdruka (alumīnija dibons), plakāta apdare (audekla papīrs), audekla druka |
Audekla drukas (audekls uz nestuvju rāmja) varianti: | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47" |
Akrila stikla apdrukas (ar īstu stikla pārklājumu) izmēru opcijas: | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 ", 160x120cm - 63x47" |
Plakātu drukas (audekla papīrs) izmēru varianti: | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Alumīnija apdrukas (alumīnija materiāla) izmēri: | 40x30cm - 16x12 ", 80x60cm - 31x24", 120x90cm - 47x35 " |
Mākslas reprodukcijas ierāmēšana: | Lūdzu, ņemiet vērā, ka šī mākslas kopija nav ierāmēta |
Juridiskā atruna: We try our utmost in order to depict our art products as closely as possible and to illustrate them visually. Nevertheless, the tone of the print materials, as well as the printing may vary somehwat from the presentation on the device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed 100% realistically. Because the fine art prints are processed and printed manually, there might as well be slight variations in the motif's exact position and the size.
© Autortiesību aizsardzība - Artprinta (www.artprinta.com)