Frančesko Gvardi, 1750. gads - Tobiass un eņģelis - tēlotājas mākslas apdruka

Muzeja informācija par mākslas darbu (© Autortiesības - Klīvlendas mākslas muzejs - Klīvlendas mākslas muzejs)

This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham. However, the narrative of Tobias and the Angel comes from an entirely different book of the Bible. The blind Tobit sends his son Tobias off to collect a sum of money in the distant town of Media, with the angel Raphael accompanying him in disguise as a human. This particular work depicts Raphael overseeing Tobias catching a fish, which would later be used to cure his father's blindness.

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Jūsu darbs IR Klientu apkalpošana klasiskā māksla piece of art was made by the Italian painter Francesco Guardi in 1750. Tālāk 270 gadu veca oriģināla izmēri ietvarā: 70,5 x 90,5 x 6,5 cm (27 3/4 x 35 5/8 x 2 9/16 collas); Bez rāmja: 56,5 x 75,5 cm (22 1/4 x 29 3/4 collas). Eļļa uz audekla was used by the artist as the technique for the work of art. Nowadays, this piece of art is in the the digital collection of The Cleveland Museum of Art in Cleveland, Ohio, United States of America. This publiski mākslas darbs tiek iekļauts ar pieklājību no Klīvlendas mākslas muzejs. : Mr. and Mrs. William H. Marlatt Fund. Moreover, alignment of the digital reproduction is in ainava formāts and has a side ratio of 4 : 3, meaning that the length is 33% longer than the width. Francesco Guardi was a male painter, whose art style can be attributed primarily to Baroque. The Baroque painter was born in the year 1712 Venēcijā, Venēcijas provincē, Veneto, Itālijā un miris gadu vecumā 81 1793. gadā Venēcijā, Venēcijas provincē, Veneto, Itālijā.

Produktu materiāli, no kuriem varat izvēlēties

Katram produktam mēs piedāvājam dažādus materiālus un izmērus. Mēs ļaujam izvēlēties starp šiem variantiem:

• Plakāta druka uz audekla materiāla: Our poster print is a UV printed cotton canvas paper with a slightly rough finish on the surface, that reminds the original version of the masterpiece. A poster is best suited for framing the art replica using a custom frame. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Metāla apdruka (alumīnija dibons): Aluminium Dibond prints are prints on metal with an outstanding effect of depth - for a modern look and a non-reflective surface structure. For the Direct Print On Aluminum Dibond, we print your favorite work of art right on the aluminium composite white-primed surface. The white and bright parts of the original work of art shine with a silk gloss, however without any glow. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is a truly sophisticated way to display art reproductions, as it puts the viewer’s focus on the whole artwork.
• Akrila stikla apdruka (ar īstu stikla pārklājumu uz augšu): The print on acrylic glass, which is often described as a an art print on plexiglass, transforms the original artwork into magnificient wall décor and is a distinct alternative to canvas and aluminidum dibond fine art replicas. The major upside of a plexiglass fine art copy is that sharp contrasts and also details become recognizeable due to the subtle gradation.
• Audekls: A canvas print is a printed cotton canvas stretched on a wood stretcher. It creates a distinctive look of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the support of extra wall-mounts. A canvas print is suited for any type of wall.

Mākslinieka informācijas tabula

Mākslas darba galds

Informāciju par produktu

Atruna: We try our best in order to depict the products as exact as possible and to showcase them visually. Still, some tone of the print materials, as well as the printing may differ somehwat from the image on the monitor. Depending on the screen settings and the quality of the surface, color pigments might not be printed one hundret percent realistically. Since our are printed and processed by hand, there might also be slight discrepancies in the motif's exact position and the size.

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