Žans Fransuā Raffaëli, 1902. gads - Notre Dame, redzams no Quai de la Tournelle - tēlotājmākslas druka

59,99 €

PVN iekļauts. Piegāde aprēķināta Pie izrakstīšanās

Pamatinformācija par oriģinālo priekšmetu

Gleznas nosaukums: "Notre Dame Seen from the Quai de la Tournelle"
Mākslas darbu klasifikācija: glezna
Vispārējs termins: modernā māksla
periods: 20th gadsimts
Izveidots gadā: 1902
Mākslas darba vecums: vairāk nekā 110 gadus
Oriģināla mākslas darba vide: eļļa uz auduma
Mākslas darba oriģinālie izmēri: Ierāmēts: 85,5 x 101,5 x 9 cm (33 11/16 x 39 15/16 x 3 9/16 collas); Bez rāmja: 65 x 81,2 cm (25 9/16 x 31 15/16 collas)
Oriģināls mākslas darba paraksts: signed lower right: jfraffaëlli [in two successive layers of paint, first dark gray and then yellowish gray]
Muzejs / vieta: Klīvlendas mākslas muzejs
Muzeja atrašanās vieta: Klīvlendā, Ohaio štatā, Amerikas Savienotajās Valstīs
Muzeja mājas lapa: www.clevelandart.org
Mākslas darba licences tips: publiski
Pieklājīgi no: Klīvlendas mākslas muzejs
Mākslas darba kredītlīnija: Gift of Mrs. Myron E. Merry

Mākslinieku galds

Mākslinieka vārds: Žans Fransuā Raffaëlli
Mākslinieka tautība: Franču
Mākslinieka profesijas: gleznotājs
Valsts: Francija
Klasifikācija: mūsdienu mākslinieks
stili: Reālisms
Vecums nāvē: 74 gadiem
Dzimšanas gads: 1850
Dzimšanas pilsēta: Parīze
Miris gadā: 1924
Nāves pilsēta: Boulevard de Beauséjour

Izstrādājuma specifikācijas

Produkta veids: tēlotājas mākslas druka
Reprodukcijas metode: digitālā reproducēšana
Ražošanas metode: UV druka / digitālā druka
Produkta izcelsme: ražots Vācijā
Krājuma veids: pēc pieprasījuma
Paredzētais produkta lietojums: mājas dekors, sienas attēls
Mākslas darba izlīdzināšana: ainavas formāts
Aspect ratio: (garums: platums) 1.2: 1
Sānu attiecības interpretācija: garums ir par 20% garāks nekā platums
Vienības materiāla iespējas: akrila stikla apdruka (ar īsta stikla pārklājumu), audekla apdruka, plakātu druka (audekla papīrs), metāla apdruka (alumīnija dibons)
Audekls uz nestuvju rāmja (audekla druka) izmēru varianti: 60x50cm - 24x20 ", 120x100cm - 47x39", 180x150cm - 71x59 "
Akrila stikla apdrukas (ar īstu stikla pārklājumu) izmēru varianti: 60x50cm - 24x20 ", 120x100cm - 47x39"
Plakātu drukas (audekla papīrs) iespējas: 60x50cm - 24x20 ", 120x100cm - 47x39"
Alumīnija dibond drukas izmēru varianti: 60x50cm - 24x20 ", 120x100cm - 47x39"
Rāmis: nav rāmja

Piedāvātie mākslas mākslas materiāli:

In the dropdown selection next to the product offering you can pick the size and materialaccording to your individual preferences. Select your preferred size and material among the alternatives:

  • Plakāta druka (audekla materiāls): Our poster is a printed cotton canvas paper with a granular surface structure. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm round about the artwork, which facilitates the framing with your custom frame.
  • Akrila stikla apdruka: A glossy acrylic glass print, often denoted as a plexiglass print, will turn an original work of art into magnificient wall decoration. Your favorite work of art is being manufactured thanks to modern UV direct printing machines. Our acrylic glass protects your custom art replica against light and heat for many decades.
  • Audekla druka: A canvas print is a printed canvas mounted on a wood stretcher. It makes the plastic effect of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the use of extra wall-mounts. That is why, canvas prints are suited for any type of wall.
  • Alumīnija dibondraksts: Aluminium Dibond prints are prints on metal with an impressive depth effect. The bright & white parts of the artpiece shine with a silk gloss but without any glare. The colors of the print are bright and luminous, details are clear and crisp, and you can truly feel a matte appearance of the print. The UV print on aluminium is one of the most demanded entry-level products and is a contemporary way to showcase art reproductions, because it puts the viewer’s attention on the whole artwork.

Jūsu darbs IR Klientu apkalpošana 20th gadsimts glezna ar nosaukumu Notre Dame Seen from the Quai de la Tournelle was painted by the artist Jean-François Raffaëlli in 1902. 110 gadu vecās mākslas darba versijas izmēri: Ierāmēts: 85,5 x 101,5 x 9 cm (33 11/16 x 39 15/16 x 3 9/16 collas); Bez rāmja: 65 x 81,2 cm (25 9/16 x 31 15/16 collas). Eļļa uz auduma was applied by the European painter as the technique for the artpiece. The original artwork was inscribed with the details: signed lower right: jfraffaëlli [in two successive layers of paint, first dark gray and then yellowish gray]. Today, the piece of art can be viewed in in the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of: The Cleveland Museum of Art (public domain license). Additionally, the artpiece has the creditline: Gift of Mrs. Myron E. Merry. In addition to that, the alignment is in landscape format with an aspect ratio of 1.2 : 1, meaning that the length is 20% longer than the width. Jean-François Raffaëlli was a painter of French nationality, whose art style can mainly be classified as Realism. The painter lived for 74 gadiem un dzimis 1850 in Paris and passed away in the year 1924 in boulevard de Beauséjour.

Important information: We do whatever we can in order to depict our art products as clearly as it is possible and to display them visually. Still, the colors of the print products and the print result can vary slightly from the image on the device's screen. Depending on your screen settings and the quality of the surface, not all colors are printed as exactly as the digital version depicted here. Bearing in mind that our art reproductions are printed and processed manually, there might also be minor differences in the exact position and the size of the motif.

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