Jean Achille Benouville, 1845. gads - Kapri - tēlotājas mākslas apdruka

In 1845 Jean Achille Benouville created the painting. The work of art has the size: Framed: 43 x 60 x 6 cm (16 15/16 x 23 5/8 x 2 3/8 in); Unframed: 28,1 x 44,7 cm (11 1/16 x 17 5/8 in) and was made with the tehnika oil on fabric. It was inscribed with the following text: "signed lower right: Achille Benouville". Moveover, this artwork can be viewed in in the Klīvlendas mākslas muzejs digitālās mākslas kolekcija Klīvlendā, Ohaio štatā, Amerikas Savienotajās Valstīs. Ar pieklājīgi no Klīvlendas mākslas muzejs (licencēts: publisks īpašums). Mākslas darba kredītlīnija: Kunga un kundzes Viljama H. ​​Marlatas fonds. Digitālās reproducēšanas izlīdzināšana notiek ainava formāts ar malu attiecību 3: 2, kas nozīmē, ka garums ir par 50% lielāks nekā platums.

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• Audekls: A canvas print, not to be confused with a canvas painting, is a digital image applied onto canvas. A canvas produces a plastic impression of three dimensionality. What is more, canvas produces a cosy and enjoyable impression. Canvas prints are relatively low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suitable for any type of wall.
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• Iespiests akrila stikls: An acrylic glass print, often referred to as a UV print on plexiglass, will convert your original artwork into home décor and is a viable alternative option to dibond and canvas fine art replicas. The work of art is being manufactured thanks to state-of-the-art UV direct print technology. The image effect of this are intense, sharp colors.
• Iespiests plakāts (audekla materiāls): A poster print is a printed flat canvas with a granular texture on the surface, that resembles the original masterpiece. It is best suited for framing the art copy in a personal frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2 - 6cm around the print motif in order to facilitate the framing.

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Located in the Mediterrean Sea, south of Rome, the island of Capri has been famous since Roman times for its spectacular scenery and mild climate. In the 19th century it became the home of many European nobles, and attracted artists from across the continent. Here Benouville captured the beauty of the island's rocky coastline, focusing his attention on a path leading toward the city of Capri and past the rocky outcropping of Monte Solaro. Fascinated by the Italian landscape, Benouville spent years in Italy drawing and painting the countryside. From 1838 to 1845 he made at least three trips there, and in 1845, after winning the Prix de Rome-a fellowship allowing promising artists to study in that city-spent much of the next 25 years in Italy. Although trained to paint landscapes in a very formal manner, after leaving France Benouville began to paint his subjects with a much more personal, nontraditional approach. This may account for this picture's unusual composition, in which much of the canvas is given to indistinct, but beautifully painted stone, sky, and water.