Kornelis van der Meulens, 1686. gads - Gustavs (1683-85), Zviedrijas princis, karaļa Kārļa XI dēls - tēlotājmāksla

Informācija par audumu

Tas vairāk nekā 330 gadu vecs mākslas darbs ar nosaukumu Gustav (1683-85), Prince of Sweden, Son of King Karl XI gleznoja Kornelis van der Mēlens. Izgatavojums tika izgatavots ar izmēru: Augstums: 60,5 cm (23,8 ″); Platums: 48,5 cm (19 ″) Ierāmēts: Augstums: 68 cm (26,7 ″); Platums: 56 cm (22 ″); Dziļums: 5,5 cm (2,1 ″). Oil on canvas was applied by the painter as the technique for the masterpiece. Besides, the artwork is included in the art collection of Nacionālais muzejs Stokholmā, kas atrodas Stokholma, Stokholmas apriņķis, Zviedrija. Ar Stokholmas Nacionālā muzeja un Wikimedia Commons atbalstu (publiskā domēna licence)Mākslas darba kredītlīnija:. Turklāt digitālās reproducēšanas saskaņošana notiek portrets formātā un attēla attiecība ir 1: 1.2, kas nozīmē, ka garums ir par 20% īsāks par platumu.

Iegūstiet savu iecienīto mākslas drukas materiālu

In the dropdown lists next to the product you can pick a material and a size of your choice. Thus, we allow you to choose among the following options:

• Audekls: The UV printed canvas mounted on a wood stretcher frame. How can I hang a canvas print on the wall? Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
• Plakāta druka (audekla materiāls): Jūsu darbs IR Klientu apkalpošana Artprinta poster is a UV printed cotton canvas paper with a fine surface texture, which resembles the original version of the artwork. A poster print is suited for putting your fine art print with a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm around the print, which facilitates the framing with a custom frame.
• Alumīnija dibondraksts: Aluminium Dibond prints are metal prints with an outstanding depth. The bright and white parts of the artpiece shimmer with a silky gloss, however without glare. The colors are bright and luminous in the highest definition, fine details appear very clear, and there’s a matte look that you can literally feel.
• Iespiests akrila stikls: An acrylic glass print, which is often described as a UV print on plexiglass, will convert your favorite artwork into beautiful décor. The artwork is being made thanks to the help of state-of-the-art UV printing technology. The image effect of this are and vivid colors. The acrylic glass protects your custom art print against sunlight and external influences for many more years to come.

Svarīga informācija: We try everything to describe the art products in as much detail as possible and to display them visually on the product detail pages. Although, the pigments of the print products, as well as the printing may diverge marginally from the representation on your device's screen. Depending on your screen settings and the condition of the surface, not all colors can be printed as realistically as the digital version on this website. Considering that all the fine art prints are processed and printed by hand, there may also be slight variations in the exact position and the size of the motif.

Strukturēta raksta informācija

Mākslas darba strukturētas detaļas

Kontekstuālie mākslinieka metadati

© autortiesības uz - Artprinta (www.artprinta.com)

What does the website of the Nationalmuseum Stockholm write about this artwork made by Cornelis van der Meulen? (© - Stokholmas Nacionālais muzejs - Nacionālais muzejs Stokholmā)

1685 fick Cornelis van der Meulen i uppdrag av änkedrottning Hedvig Eleonora att utföra porträtt hennes båda avlidna söner prinsarna Gustav och Ulrik. Porträttet av prins Gustav, som dog när han endast var två år gammal, kan uppfattas på flera olika plan. Det kan betraktas som en trompe l'oeil målning med Nicolaes Millichs byst av prinsen i bildens centrum. Det kan också ses som ett vanitasstilleben, där föremålen som omger portätt har en symbolisk mening. Snäckan och såpbubblorna kan kopplas till Homo bulla-ikonografin där livets livets bräcklighet jämförs med såpbubblornas kortvarighet. Vanitassymboliken har sina rötter i antiken vilket understryks av bystens karaktär, som påminner om en romersk barnkejsare. Det finns även en antydan till hopp bland alla metaforerna i form av den lagerkrönta dödsskallen som är en försäkran om prinsens seger i ett kommande liv. Kopia