Abraham Govaerts, 1612. gads - Mežainā ainava ar medniekiem un zīlnieci - tēlotājas mākslas druka

Mākslas izstrādājuma detaļas

In 1612 Ābrahams Govaerts izgatavoja mākslas darbu nosaukumu "Wooded Landscape with Hunters and Fortune Teller". The version of the work of art measures the dimensions: height: 62,5 cm width: 101 cm | height: 24,6 in width: 39,8 in. Eļļa uz paneļa was applied by the Dutch artist as the technique for the work of art. The original artwork has the following text as inscrption: signed and dated: AGOVAERTS / .1.6.12.mark: RB. Mūsdienās mākslas darbs pieder digitālajai kolekcijai Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are delighted to reference that the publiski mākslas darbi tiek nodrošināti ar Mauritshuis, Hāgas pieklājību. Mākslas darba kredītlīnija: Princess Albertine Agnes of Orange-Nassau, Leeuwarden, 1681; Oranienstein Palace, Diez, 1726; by inheritance to Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. In addition to that, the alignment is in landscape format and has a side ratio of 3 : 2, which means that garums ir par 50% garāks nekā platums. The painter, drawer Abraham Govaerts was a European artist, whose art style can primarily be classified as Baroque. The Baroque painter was born in the year 1589 Antverpenē, Antverpenes provincē, Flandrijā, Beļģijā un aizgāja mūžībā, būdams 37 jo 1626.

What does the website of the Mauritshuis state about the artwork from the painter and drawer Abraham Govaerts? (© Autortiesības - Mauritshuis - Mauritshuis)

Princess Albertine Agnes of Orange-Nassau, Leeuwarden, 1681; Oranienstein Palace, Diez, 1726; by inheritance to Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

Pamatinformācija par unikālo mākslas darbu

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In the dropdown lists right next to the product you can select a material and a size of your choice. Therefore, we allow you to choose among the following options:

• Audekla druka: The canvas print is a printed cotton canvas stretched on a wood frame. Besides, printed canvas creates a cosy, comfy atmosphere. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
• Alumīnija dibondraksts: This is a metal print made on alu dibond with an outstanding effect of depth. A direct Aluminium Dibond Print is your best start to fine art prints with aluminum. The white & bright sections of the original artwork shine with a silk gloss, however without the glare. The UV print on aluminium is the most popular entry-level product and is a contemporary way to display fine art prints, since it puts 100% of the viewer’s attention on the replica of the artwork.
• Plakāts (audekla materiāls): Jūsu darbs IR Klientu apkalpošana Artprinta poster is a printed canvas paper with a slight surface structure. Please keep in mind, that depending on the size of the poster we add a white margin 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
• Akrila stikla apdruka (ar reālu stikla pārklājumu): An print on acrylic glass, often referred to as a UV print on plexiglass, will convert your chosen artwork into beautiful décor and is a viable alternative option to dibond or canvas fine art replicas.

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Svarīga piezīme: We do what we can in order to depict the products as clearly as it is possible and to display them visually in our shop. Although, the colors of the printing material and the print result may vary marginally from the presentation on your monitor. Depending on the screen settings and the nature of the surface, not all colors can be printed one hundret percent realistically. Considering that all art prints are printed and processed manually, there may as well be slight discrepancies in the motif's size and exact position.

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