Žans Marks Nattiers, 1749. gads - Marsolljē kundze un viņas meita - tēlotājas mākslas apdruka

Raksta pārskats

Jūsu darbs IR Klientu apkalpošana klasiskā māksla mākslas darbs Madame Marsollier and Her Daughter izgatavoja Žans Marks Nattiers. Oriģināla izmēri: 57 1/2 x 45 collas (146,1 x 114,3 cm). Eļļa uz audekla was applied by the French painter as the medium of the masterpiece. Nowadays, the work of art can be viewed in in the Metropolitēna mākslas muzejs mākslas kolekcija, kas atrodas Ņujorka, Ņujorka, Amerikas Savienotās Valstis. With courtesy of The Metropolitan Museum of Art, New York, Bequest of Florence S. Schuette, 1945 (publisks īpašums). Mākslas darba kredītlīnija: Bequest of Florence S. Schuette, 1945. Digitālās reprodukcijas izlīdzināšana ir portreta un tās attiecība ir 3: 4, kas to nozīmē garums ir par 25% īsāks nekā platums.

Pasūtiet izvēlēto materiālu

Katram produktam mēs piedāvājam dažādu izmēru un materiālu klāstu. Mēs ļaujam izvēlēties iecienītāko izmēru un materiālu starp šīm produktu individualizācijas iespējām:

• Plakāta druka (audekla materiāls): Jūsu darbs IR Klientu apkalpošana Artprinta poster print is a printed canvas with a nice structure on the surface. The print poster is perfectly suited for putting your art replica with a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin 2-6cm around the print, which facilitates the framing with your custom frame.
• Akrila stikla apdruka (ar reālu stikla pārklājumu): The acrylic glass print, often labelled as a plexiglass print, will change your favorite artwork into wonderful home décor. Your work of art is made with modern UV print machines. With an acrylic glass fine art print contrasts and smaller color details will be exposed thanks to the granular gradation. Our real glass coating protects your chosen art replica against sunlight and external influences for many years to come.
• Audekla druka: The UV printed canvas material mounted on a wooden stretcher frame. A canvas creates the sculptural impression of three dimensionality. A printed canvas of your favorite artwork will let you turn your individual art print into a large artwork like you would see in a real gallery. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
• Alumīnija dibondraksts: An Aluminium Dibond print is a print with an outstanding depth effect - for a modern look and a non-reflective surface. The Direct Print on Aluminum Dibond is the best start to fine art replicas produced with aluminum. The colors are luminous, the details appear crisp. The print on aluminium is one of the most popular entry-level products and is a truly sophisticated way to display art prints, because it draws focus on the image.

Juridiskā atruna: We try all that we can in order to describe our products with as many details as we can and to demonstrate them visually. Please keep in mind that the colors of the printed materials and the printing may differ marginally from the image on the screen. Depending on the screen settings and the nature of the surface, colors might not be printed as realistically as the digital version depicted here. In view of the fact that the are processed and printed manually, there may as well be slight discrepancies in the motif's size and exact position.

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Mākslinieku pārskata tabula

© Autortiesības - intelektuālais īpašums, Artprinta.com (Artprinta)

Mākslas darbu attēlojums muzeja vietnē (© - Metropolitēna mākslas muzejs - www.metmuseum.org)

Madame Marsollier was married, beneath her station, to a Parisian textile merchant whose shop was in the rue Saint-Honoré. Her portrait, exhibited at the Salon in 1750, displays in full measure the luxury fabrics that were the source of his fortune. The lady and her child are en déshabille, in revealing draperies that accentuate their pearly skin. It is not surprising that the wealthy couple would have commissioned a large portrait from Nattier, who was then the preeminent painter of the French royal family.