Frīdrihs fon Amerlings, 1846. gads - rūpnieks Maksimilians Todesko - tēlotājas mākslas druka
PVN iekļauts. Piegāde aprēķināta Pie izrakstīšanās
Original artwork information from the museum (© - Belvedere - www.belvedere.at)
Maximilian Todesco (1813-1890) was the son of a textile manufacturer Hermann Todesco (1792-1844). The name "Todesco" was taken over by his father Aaron Hirschl, who was always referred to his numerous trips to Italy there as "inglese" (German). From Pressburg (Bratislava) to arise, Hermann had settled in Vienna in 1789 and operated weaving mill in nearby Mariental bei Himberg a large-scale cotton mill. He also appears with numerous benefits, so he was co-founder and Teilfinancier the temple in Vienna Seitenstettengasse (1825-1826), also he bought for his home town Pressburg a building that he had set up an orphanage (1844), in Baden near Vienna, he promoted the establishment of an Israelite hospital, and the Israelite Gewerbeverein was awarded with his help scholarships to young master. He also supported the financing of the Vienna-Gloggnitzer Railway (completed in 1842), after which he was raised as the first director of this company to the peerage. Edward (who died in 1887, since 1869, Baron.) And Moritz (1816 to 1873) Todesco, the two brothers of the sitter and sons of the above, have a reputation as bankers a name; Edward continued the philanthropic work of the Father, by supporting poor officers and Jewish students. 1861-1864 were Eduard and Moritz to the plans of Ludwig Förster and Theophil Hansen at the Carinthian road (opposite the k. K. Court Opera, which at that time was still under construction) you build Palais (Palais Todesco). About Maximilian Todesco little is known in comparison. The records of the Jewish community can be seen that he lived as a wholesale partner in Vienna # 642 (the hair market) and his wife Henriette Gumpel from Hamburg, with whom he had three children had (Friedrich, born in 1841;. Ludwig, born . Sophia Franziska, born, was divorced in court Ischl) 1847 1844th In 1890 he died at the age of 77 years of heart enlargement and was buried in Oberdöbling. In the death register of the Israelite community he is out with the title "secret Meklenburg'scher commerzienrath". Sources: Death register of the Jewish Cultusgemeinde. Literature: Wurzbach, 45, 1862, pp 224-227; Encyclopedia Judaica, Jerusalem o. J., Sp. 1187 et seq .; Czeike, Felix (Ed.): Historical Dictionary Vienna, Vol 5, Vienna 1997, p 460. [Sabine Grabner in. Friedrich von Amerling. 1803-1887, ed. v. Sabine Grabner, exh. Cat. Osterreichische Galerie Belvedere Vienna, Leipzig 2003, pp 186-187]
Strukturētas mākslas darbu detaļas
Mākslas darbs: | "The industrialist Maximilian Todesco" |
Mākslas darbu klasifikācija: | glezna |
Plaša kategorija: | modernā māksla |
periods: | 19th gadsimts |
Izveidots gadā: | 1846 |
Aptuvenais mākslas darba vecums: | ap 170 gadiem |
Krāsots uz: | eļļa uz audekla |
Oriģinālais mākslas darba izmērs: | 134 x 102 cm - rāmis: 177 x 145 x 17 cm |
Muzejs / kolekcija: | Belvedere |
Muzeja atrašanās vieta: | Vīne, Austrija |
Muzeja mājas lapa: | Belvedere |
Mākslas darba licence: | publiski |
Pieklājīgi no: | © Belvedere, Vīne, inventāra numurs: 3674 |
Mākslas darba kredītlīnija: | pārcelšana no Reiha gubernatora 1939. gadā |
Vispārīga informācija par mākslinieku
nosaukums: | Frīdrihs fon Amerlings |
Papildu nosaukumi: | Friedrich von Amerling, fr. v. amerling, amerling friedrich v., friedr. amerling, friedrich amerling, franz v. amerling, F. v. Amerling, fritz von amerling, f. amerling, fr. amerling, amerling friedr., amerling friedrich von, Amerling Friedrich, Amerling Friedrich von, friedrich v. amerling, amerling, Friedr. v. Amerling |
Mākslinieka dzimums: | vīrietis |
Pilsonība: | Austrijas |
Darbs: | gleznotājs |
Mākslinieka valsts: | Austrija |
Klasifikācija: | mūsdienu mākslinieks |
Mākslas stili: | Bīdermeijers |
Mūžs: | 84 gadiem |
Dzimis gadā: | 1803 |
Dzimis (vietā): | Vīne, Vīnes štats, Austrija |
Nāves gads: | 1887 |
Miris (vietā): | Vīne, Vīnes štats, Austrija |
Raksta specifikācija
Drukas kategorija: | mākslas kopija |
Reprodukcijas metode: | digitālā reproducēšana |
Ražošanas process: | UV tiešā druka |
Produkta izcelsme: | Vācija |
Krājuma veids: | pēc pieprasījuma ražošanu |
Produkta lietošana: | sienas dekors, sienas galerija |
Attēla orientācija: | portreta izlīdzināšana |
Attēla attiecība: | garums līdz platumam 3: 4 |
Sānu attiecības interpretācija: | garums ir par 25% īsāks nekā platums |
Materiāli, no kuriem jūs varat izvēlēties: | akrila stikla apdruka (ar īsta stikla pārklājumu), audekla apdruka, plakātu druka (audekla papīrs), metāla apdruka (alumīnija dibons) |
Audekla drukas (audekls uz nestuvju rāmja) izmēru opcijas: | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 ", 120x160cm - 47x63" |
Akrila stikla apdrukas (ar īstu stikla pārklājumu) izmēru varianti: | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Plakātu drukas (audekla papīrs) varianti: | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Alumīnija apdrukas (alumīnija materiāla) varianti: | 30x40cm - 12x16 ", 60x80cm - 24x31", 90x120cm - 35x47 " |
Attēla rāmis: | nav iekļauts |
Pasūtiet vēlamo preces materiālu
Mēs piedāvājam dažādu izmēru un materiālu klāstu katram produktam. Mēs ļaujam izvēlēties starp šiem variantiem:
- Plakāts uz audekla materiāla: The poster is a UV printed canvas with a slightly roughened surface finish. Please note, that depending on the size of the poster we add a white margin 2-6cm round about the artwork, which facilitates the framing with your custom frame.
- Audekls: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. What is more, canvas makes a cosy and pleasing feeling. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without any wall-mounts. Therefore, canvas prints are suited for any type of wall.
- Akrila stikla apdruka (ar reālu stikla pārklājumu): A glossy acrylic glass print, often denoted as a plexiglass print, will transform the artwork into lovely décor. The work of art is being custom-made with modern UV direct print technology. It makes vibrant, sharp color hues. Our acrylic glass protects your selected fine art print against light and heat for decades.
- Alumīnija dibondraksts: Aluminium Dibond prints are prints on metal with an impressive depth, which creates a contemporary impression by having a surface , which is non-reflective. The Direct Print on Aluminum Dibond is the excellent introduction to art reproductions on aluminum. For our Aluminium Dibond option, we print your work of art onto the aluminium white-primed surface. The bright & white parts of the original work of art shimmer with a silk gloss, however without any glow. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly contemporary way to display fine art reproductions, as it puts all of the viewer’s focus on the image.
Šī glezna sauca The industrialist Maximilian Todesco was painted by Friedrich von Amerling. The work of art had the following size: 134 x 102 cm - rāmis: 177 x 145 x 17 cm. Eļļa uz audekla was used by the Austrian painter as the technique for the work of art. What is more, the artwork can be viewed in in the Belvedere's collection in Vienna, Austria. This artwork, which is part of the publiski tiek nodrošināta ar pieklājību no © Belvedere, Vīne, inventāra numurs: 3674. Turklāt mākslas darbam ir šāda kredītlīnija: pārcelšana no Reiha gubernatora 1939. gadā. Turklāt pielīdzināšana ir portrets ar attiecību 3: 4, kas nozīmē, ka garums ir par 25% īsāks nekā platums. The painter Friedrich von Amerling was an artist from Austria, whose artistic style was mainly Biedermeier. The Biedermeier artist lived for a total of 84 gadiem - born in 1803 in Vienna, Vienna state, Austria and died in the year 1887 in Vienna, Vienna state, Austria.
Juridiskā atruna: We try what we can in order to describe the products as closely as possible and to exhibit them visually on the respective product detail pages. Nonetheless, the colors of the print materials and the printing can differ somehwat from the presentation on the monitor. Depending on your settings of your screen and the quality of the surface, colors may not be printed as realistically as the digital version on this website. Because all the art reproductions are processed and printed manually, there might as well be slight differences in the motif's size and exact position.
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