Johans Volfgangs Baumgartners, 1760. gads — Marijas debesīs uzņemšana — tēlotājmākslas nospiedums

šis 18th gadsimts mākslas darbs nosaukts Marijas pieņēmums gleznoja Johans Volfgangs Baumgartners. Oriģināls tika krāsots ar precīzu izmēru: 59 53,5 x cm un tika uzkrāsots uz barotnes eļļa uz audekla. Mūsdienās mākslas darbs ir daļa no Belvederes mākslas kolekcija Vīne, Austrija. Ar pieklājīgi no © Belvedere, Vīne, inventāra numurs: 2063 (licensed - public domain). Creditline of the artwork: purchase from Councilor Richard Canaval, Klagenfurt in 1920. In addition to this, the alignment is square and has an image ratio of 1 : 1, which means that the length is equal to the width. Johann Wolfgang Baumgartner was a male painter, etcher, whose style was mainly Baroque. The painter lived for a total of 49 years, born in 1712 in Kufstein, Tyrol, Austria and passed away in the year 1761.

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Mēs piedāvājam dažādu izmēru un materiālu klāstu katram produktam. Starp šīm iespējām varat izvēlēties savu iecienīto izmēru un materiālu:

• Akrila stikla apdruka (ar īstu stikla pārklājumu): An print on acrylic glass, which is sometimes referred to as a print on plexiglass, will transform your favorite original work of art into great home decoration. The major benefit of an acrylic glass fine art print is that sharp contrasts and also painting details become more visible due to the subtle gradation.
• Audekls: The UV printed canvas material applied on a wood frame. It makes the exclusive look of three dimensionality. A canvas of this artpiece will let you turn your fine art print into a large size work of art as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suited for any type of wall.
• Plakāts (audekla materiāls): Our poster print is a printed canvas with a slight surface texture. It is best suited for framing the art copy with a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Alumīnija dibondraksts: Aluminium Dibond prints are prints on metal with a true depth effect. A direct Direct Print on Aluminum Dibond is the ideal introduction to art replicas produced with aluminum. For your Direct Print On Aluminum Dibond, we print your artpiece on the aluminium surface. The bright & white parts of the work of art shimmer with a silk gloss but without glare. Colors are bright and luminous in the highest definition, details of the print appear clear and crisp.

Juridiskā atruna: We try what we can in order to describe our products with as many details as possible and to demonstrate them visually on the different product detail pages. Although, some colors of the print materials and the printing might vary somehwat from the representation on the screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version. Since all our art prints are processed and printed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

Raksta tabula

Mākslas darba pamatinformācija

Mākslinieku galds

Autortiesības © | Artprinta (www.artprinta.com)

Muzeja vispārīgās specifikācijas (© - autors Belvedere - www.belvedere.at)

Surrounded by a host of angels, saints and biblical figures, the Mother of God rises to the Trinity up. Striking here is caused by the density of the figures darkness that much of the heavenly airiness of Baumgartner's contemporaries - such as Daniel Gran and Franz Anton Maulbertsch - takes off. Exciting is the design of the three vaulted gusset, because it is not clear whether this should be implemented as a trompe l'oeil, or as three-dimensional pieces. Although has received on the draft, a drawing in the Castle Museum of Ellwangen, we have no knowledge regarding the execution of a dome fresco. [Georg Lechner, 2013]