Jans Stēns, 1654. gads - Zīlniece - tēlotājas mākslas apdruka

59,99 €

PVN iekļauts. Piegāde aprēķināta Pie izrakstīšanās

Muzeja papildinformācija (© - autors Mauritshuis - Mauritshuis)

M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010

Strukturētas mākslas darbu detaļas

Mākslas darbs: "Zīlniece"
Mākslas darbu klasifikācija: glezna
Vispārīgs termins: klasiskā māksla
periods: 17th gadsimts
Izveidots: 1654
Mākslas darba vecums: vecāki par 360 gadiem
Krāsots uz: eļļa uz audekla
Sākotnējie izmēri: augstums: 73,5 cm platums: 59,7 cm
Oriģinālais priekšmeta uzraksts: signed: J. Steen
Muzejs: Mauritshuis
Muzeja vieta: Hāga, Dienvidholande, Nīderlande
Muzeja vietne: www.mauritshuis.nl
licence: publiski
Pieklājīgi no: Mauritshuis, Hāga
Mākslas darba kredītlīnija: M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010

Informācija par kontekstuālo mākslinieku

Mākslinieks: Jans Stēns
Citi vārdi: Jan Steen, Steen Jan, Steen Jan 'de Alkmaarsche, Jan Steen de Alkmaarsche, Jan Steen de Alkmaarsche
Mākslinieka dzimums: vīrietis
Mākslinieka tautība: holandiešu
Mākslinieka profesijas: gleznotājs
Izcelsmes valsts: Nīderlande
Mākslinieka klasifikācija: vecmeistars
Mākslas stili: Baroka
Nomira gadu vecumā 53 gadiem
Dzimis gadā: 1626
Dzimtā vieta: Alkmāra, Ziemeļholande, Nīderlande
Nāves gads: 1679
Miris (vietā): Alkmāra, Ziemeļholande, Nīderlande

Informācija par preces fona

Izdrukas produkts: mākslas reprodukcija
Pavairošana: digitālā reproducēšana
Ražošanas metode: UV tiešā druka
ražošana: ražots Vācijā
Krājumu veids: pēc pieprasījuma
Paredzētais lietojums: mākslas kolekcija (reprodukcijas), mājas dekors
Izlīdzināšana: portreta izlīdzināšana
Attēla attiecība: garums līdz platumam 1: 1.2
Sekcija: garums ir par 20% īsāks nekā platums
Pieejamie produkta materiāli: akrila stikla apdruka (ar īsta stikla pārklājumu), plakāta druka (audekla papīrs), metāla apdruka (alumīnija dibons), audekla druka
Audekla drukas (audekls uz nestuvju rāmja) izmēri: 50x60cm - 20x24 ", 100x120cm - 39x47", 150x180cm - 59x71 "
Akrila stikla apdruka (ar reālu stikla pārklājumu): 50x60cm - 20x24 ", 100x120cm - 39x47"
Plakātu drukas (audekla papīrs) varianti: 50x60cm - 20x24 ", 100x120cm - 39x47"
Alumīnija apdrukas (alumīnija dibona materiāla) izmēru varianti: 50x60cm - 20x24 ", 100x120cm - 39x47"
Mākslas kopijas ierāmēšana: nav pieejams

Atlasiet savu materiālu

In the product dropdown lists you can choose a material and a sizeaccording to your preferences. In order match your personal requirements perfectly, you can choose among the following product customization options:

  • Audekla druka: The canvas print is a printed cotton canvas stretched on a wooden stretcher. It makes the particular effect of three dimensionality. Furthermore, a canvas print produces a attractive and comfortable impression. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of any wall-mounts. A canvas print is suitable for any kind of wall in your house.
  • Iespiests akrila stikls ar spīdīgu efektu: An print on acrylic glass, which is sometimes described as a UV print on plexiglass, makes your favorite original work of art into beautiful wall décor. Your favorite work of art is being manufactured with the help of modern UV direct print machines. The effect of this are impressive, vibrant color tones.
  • Alumīnija dibondraksts: An Aluminium Dibond print is a print with an impressive depth, which creates a contemporary impression with a surface structure, which is not reflective. A direct Aluminium Dibond Print is your excellent start to art replicas manufactured on aluminum. For your Aluminium Dibond option, we print your chosen work of art right on the surface of the aluminum material. Colors are luminous and bright, the fine details appear crisp and clear.
  • Plakātu druka (audekla materiāls): The poster print is a UV printed canvas paper with a nice finish on the surface. It is ideally used for putting your fine art print in a personal frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6 cm around the painting, which facilitates the framing with your custom frame.

Zīlnieks was by Jan Steen in 1654. The original version measures the size: augstums: 73,5 cm platums: 59,7 cm | augstums: 28,9 platumā: 23,5 collas. Eļļa uz audekla was used by the European painter as the medium of the artwork. The original artwork's inscription is - "signed: J. Steen". It is included in the Mauritshuis digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are happy to mention that the public domain masterpiece is supplied with courtesy of Mauritshuis, Hāga. : M.J. Roelofs Thijssen, Amsterdam, 1891; his sale, Amsterdam, 26 October 1891 (Lugt 50212), no. 58 (for 2,500 guilders to Preyer); Preyer Gallery, Amsterdam; Baron Königswärter, Vienna, 1906; his sale, Berlin (Schwartz &Schulte), 20 November 1906, no. 86 (13,500 marks); August Janssen, Amsterdam; Jacques Goudstikker Gallery, Amsterdam, 1919; P.W. Janssen, Amsterdam, 1926; M.J. IJzerloo, Rijswijk, 1941; P. de Boer Gallery, Amsterdam, 1941; M.F. de Vries, Amsterdam, 1941; G.B. Lanz, Laren, 1941; D. Katz Gallery, Dieren, 1941; H. Posse; Adolf Hitler, Führermuseum, Linz; Stichting Nederlands Kunstbezit (inv. no. NK 2727); on loan to the Centraal Museum, Utrecht, before 1952-after 1977; on loan from the Cultural Heritage Agency of The Netherlands for the Prince William V Gallery, 1992-2010; transferred, 2010; exhibited in the Prince William V Gallery, The Hague, since 2010. Further, the alignment is in portrait formāts un tā attiecība ir 1: 1.2, kas nozīmē, ka garums ir par 20% īsāks nekā platums. Jan Steen was a male painter from the Netherlands, whose artistic style can be attributed mainly to Baroque. The European painter was born in the year 1626 Alkmārā, Ziemeļholandē, Nīderlandē un aizgāja mūžībā gadu vecumā 53 gadā 1679.

Juridiska piezīme: We try our best in order to depict our art products as closely as we can and to demonstrate them visually in our shop. Although, the pigments of the printed materials and the imprint can differ slightly from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as realisitcally as the digital version shown here. Because the fine art prints are processed and printed by hand, there may as well be minor discrepancies in the size and exact position of the motif.

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