Nikolā Bertina, 1730. gads - Kristus mazgā mācekļu pēdas - tēlotājmākslas druka
PVN iekļauts. Piegāde aprēķināta Pie izrakstīšanās
Papildinformācija no muzeja (© Autortiesības - Čikāgas Mākslas institūts - www.artic.edu)
Nicolas Bertin was primarily a painter of religious, mythological, and allegorical subjects. Although trained in the rigorous French academic traditions, he often emulated the broader style of Titian, Paolo Veronese, and other Venetian Renaissance masters. For his depiction of Christ washing Saint Peter’s feet just after the Last Supper (John 13:4-5), Bertin created a majestic, theatrical backdrop reminiscent of those in Veronese’s pictures. Through gesture and facial expression Bertin adeptly described a range of emotions, from surprise and puzzlement to humility.
Pamatinformācija par vairāk nekā 290 gadus veco mākslas darbu
Gadā 1730 o Franču painter Nicolas Bertin made this 18th gadsimts artwork. The version of the artpiece was painted with the absolute size: 49,5 × 72,1 cm (19 1/2 × 28 3/8 collas). Oil on panel was applied by the European painter as the technique for the artwork. "Bertin (lower left, on the edge of the platform)" is the masterpiece's original inscription. Nowadays, this artwork belongs to the digital art collection of Art Institute Chicago, which is located in Čikāga, Ilinoisa, Amerikas Savienotās Valstis. We are glad to state that the public domain artpiece is supplied with courtesy of Art Institute Chicago. In addition to that, the artwork has the creditline: Čārlza H. un Marijas FS Vorčestera kolekcija. Digitālās reproducēšanas izlīdzināšana notiek ainava formātā ar attiecību 3: 2, kas to nozīmē garums ir par 50% garāks nekā platums. Nicolas Bertin was a male painter, interior designer, drawer, whose artistic style can be attributed primarily to Baroque. The artist lived for 68 years - born in the year 1668 in Paris, Ile-de-France, France and passed away in the year 1736 in Paris, Ile-de-France, France.
Izvēlieties vienuma materiāla opciju
In the product dropdown lists you can choose your individual material and size. The following sizes and materials are the options we offer you for individualization:
- Audekls: A canvas direct print is a printed cotton canvas stretched on a wooden stretcher. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
- Plakāta druka uz audekla materiāla: Our poster print is a UV printed cotton canvas with a fine structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print motif to facilitate the framing with a custom frame.
- Alumīnija dibondraksts: This is a metal print manufactured on aluminium dibond material with a true effect of depth - for a modern look and non-reflective surface structure. The print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase art prints, since it puts all of the viewer’s attention on the image.
- Drukāt uz spīdīga akrila stikla (ar īstu stikla pārklājumu): An acrylic glass print, which is sometimes referenced as a plexiglass print, will turn the original artwork into décor.
Mākslinieku galds
Mākslinieka vārds: | Nikolā Bertina |
Zināms arī kā: | Bertin Nicolas, N. Bertin, Nicolas Bertin, Bertin, Bertin. N., N. Bertini |
Dzimums: | vīrietis |
Pilsonība: | Franču |
Darbs: | interjera dizainere, gleznotāja, atvilktne |
Valsts: | Francija |
Klasifikācija: | vecmeistars |
Mākslas stili: | Baroka |
Mūžs: | 68 gadiem |
Dzimšanas gads: | 1668 |
Dzimis (vietā): | Parīze, Ildefransa, Francija |
Nāves gads: | 1736 |
Nāves pilsēta: | Parīze, Ildefransa, Francija |
Sīkāka informācija par unikālo mākslas darbu
Mākslas darba nosaukums: | "Christ Washing the Feet of His Disciples" |
Mākslas darbu klasifikācija: | glezna |
Vispārīgs termins: | klasiskā māksla |
Mākslas darbu gadsimts: | 18th gadsimts |
Izveidots: | 1730 |
Aptuvenais mākslas darba vecums: | ap 290 gadiem |
Mākslas darba oriģināls: | eļļa uz paneļa |
Oriģinālā mākslas darba izmērs: | 49,5 × 72,1 cm (19 1/2 × 28 3/8 collas) |
Oriģināls mākslas darba paraksts: | bertin (lower left, on the edge of the platform) |
Muzejs: | Čikāgas Mākslas institūts |
Muzeja atrašanās vieta: | Čikāga, Ilinoisa, Amerikas Savienotās Valstis |
Mājas lapa: | Čikāgas Mākslas institūts |
Mākslas darba licences tips: | publiski |
Pieklājīgi no: | Čikāgas Mākslas institūts |
Mākslas darba kredītlīnija: | Čārlza H. un Marijas FS Vorčestera kolekcija |
Par produktu
Drukas kategorija: | mākslas darbs |
Pavairošana: | digitālā reproducēšana |
Ražošanas tehnika: | digitālā druka |
Produkta izcelsme: | Vācu ražots |
Krājuma veids: | pēc pieprasījuma |
Produkta lietojums: | mākslas reprodukciju galerija, sienu dekorēšana |
Mākslas darba izlīdzināšana: | ainavas izlīdzināšana |
Attēla malu attiecība: | (garums, platums) 3: 2 |
Sekcija: | garums ir par 50% garāks nekā platums |
Pieejamie reprodukcijas materiāli: | plakātu apdruka (audekla papīrs), metāla apdruka (alumīnija dibons), akrila stikla apdruka (ar īsta stikla pārklājumu), audekla druka |
Audekls uz nestuvju rāmja (audekla druka) izmēri: | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31", 150x100cm - 59x39 " |
Akrila stikla apdruka (ar reālu stikla pārklājumu): | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31", 150x100cm - 59x39 " |
Plakātu drukas (audekla papīrs) varianti: | 60x40cm - 24x16 ", 90x60cm - 35x24", 120x80cm - 47x31 " |
Alumīnija dibond drukas (alumīnija materiāla) izmēru varianti: | 30x20cm - 12x8 ", 60x40cm - 24x16", 90x60cm - 35x24 ", 120x80cm - 47x31" |
Mākslas kopijas ierāmēšana: | nav pieejams |
Atruna: We try whatever we can to depict our products in as much detail as it is possible and to illustrate them visually on the product detail pages. Nonetheless, the tone of the printed materials, as well as the printing may differ marginally from the presentation on your device's screen. Depending on your settings of your screen and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version. Given that all fine art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.
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