Anrī Martins, 1887. gads - krucifikss - tēlotājas mākslas apdruka

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Katram produktam mēs piedāvājam dažādu izmēru un materiālu klāstu. Mēs ļaujam izvēlēties iecienītāko izmēru un materiālu starp šīm produktu individualizācijas iespējām:

• Alumīnija dibonds (metāla apdruka): Alumīnija Dibond druka ir druka ar iespaidīgu dziļuma efektu.
• Audekls: A printed canvas mounted on a wooden frame. Additionally, a canvas print produces a cosy and appealing impression. A printed canvas of this masterpiece will allow you to transform your into a large size artwork like you would see in a gallery. Hanging a canvas print: Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suitable for all kinds of walls.
• Plakāta druka uz audekla materiāla: Our poster print is a UV printed flat canvas paper with a nice surface finish. Please bear in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the print motif in order to facilitate the framing with a custom frame.
• Akrila stikla apdruka (ar īstu stikla pārklājumu uz augšu): An print on acrylic glass, often named a UV print on plexiglass, will convert the artwork into magnificient décor and is a viable alternative to dibond and canvas fine art prints. The artwork will be printed with modern UV direct print machines. It creates intense and impressive print colors. The major advantage of an acrylic glass fine art print is that contrasts and also minor artwork details become exposed thanks to the granular tonal gradation.

Juridiska piezīme: We try the best we can to depict the products as accurate as possible and to exhibit them visually in our shop. Still, the colors of the printing material, as well as the imprint may vary somehwat from the presentation on the monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed one hundret percent realistically. Since the art reproductions are printed and processed manually, there may also be slight discrepancies in the exact position and the size of the motif.

Supplemental information from Maison de Victor Hugo - Hauteville House (© - autors Maisons de Viktors Igo - Hautevila nams - www.masonsvictorhugo.paris.fr)

Grayness on free canvas when acquiring

Illustrates ethéâtre piece of Victor Hugo, "Angelo, Tyrant of Padua", "II Day", "The Crucifix" and is a simplified way to the stage direction opening the second act: "THE SECOND DAY CRUCIFIXUne richly hung with scarlet room embellished with gold. in one corner, on the left, a beautiful bed on a dais under a canopy and carried by twisted columns. around the canopy hang crimson curtains that can be closed and completely hide the bed right, in the corner, a window the same side, a hidden door in the tapestry;. with a kneeler, above which hangs on the wall a polished brass crucifix Basically, a large double door. . Between the door and the bed and another small ornate door. table, chairs, torches, a great dresser. Outside gardens, steeples, moonlight. an angelic on the table. "the action represented corresponds precisely to the end this second day, scene VI lorsqua the Tisbe leaves the room Catarina in Angelo company that accompanies the "LA litter TISBEMa is downstairs waiting for me. Will you give me hand so far? Let sleeping lady to présent.ANGELOJe am at your service, Dona Tisbe. Go through my apartment, please, that I take my sword. (Going to the large door at the back.) - Whoa! torches! THE Tisbe (Takes Catarina apart on the front of the theater.) Do it away, right away. Where I came. Here is the key. (Turning to the oratory.) - Oh! this door! Oh! I suffer! Do not even really know if it's him! ANGELO, who returns. I expect you, madame.LA Tisbe at part.Oh! if I could only see it! Nevar būt! We must go! Oh ... (A ANGELO.) - Come on! come, monseigneur.CATARINA, looking out. This is a dream "But Henri Martin tries course focus in this scene unwinding the tension of the drama which was played during the act The crucifix -. Which gives its title to the day - on the table It is the symbol recalls the episode of the stage V or the situation is reversed, the revenge came Tisbe Catarina jealousy discovering that it saved his mother. "CATARINAArrêtez! Ah! Dievs! Ah! Pietura! You do not know it will kill me! Let me at least a moment, yet a little while, to pray to God! No, I will not leave here. You see, I'm going to put me kneeling there ... (Pointing to the copper crucifix above the kneeler.) - before this crucifix. (The eye of LA Tisbe attaches to the crucifix.) - Oh! stand by grace, pray beside me. Do you want to tell? And then, if you still want my death, if God gives you that thought, you do what you voudrez.LA Tisbe (She rushes on the crucifix and tear the wall.) Qu'est- that is that the crucifix? No kurienes tu nāc? Hence the hold yourself? Who gave it to you? CATARINAQuoi? the crucifix? Ak! I am devastated. Ak! it does you no good to me about that crucifix! THE TISBEComment is it in your hands? speak quickly! (The torch has remained on a sideboard near the balcony. THE Tisbe is approaching and examining the crucifix. Catarina follows.) CATARINAEh well, it's a woman. You look at the name that is at the bottom. It's a name I do not know, Tisbe, I think. It is a poor woman who wanted to die. I asked his grace me. As it was my father, he has given me. In Brescia. I was a child. Oh! do not lose me, have pity on me, madam! The woman gave me the crucifix, saying he would bring me happiness. Tas ir viss. I swear that this is all good. But what is that to you? What good do I say unnecessary things? Oh! I'm exhausted! THE Tisbe apart. Sky! Oh, mother!

The volume "Drama III" of the National edition appeared in 1887, at a time when Émile Testard takes control of the company. He chooses can disperse the illustration of a work of several artists but to entrust a single to obtain a homogeneous work. Thus Henri Martin beginner painter yet, he entrusted the whole room illustration "Angelo Tyrant of Padua", five thumbnail title (one for each of the three days and parts of the third) and two large boards full page. All these compositions will be engraved by Charles Courtry.

Angelo, bully Padua (V.Hugo)

Fona informācija par šo mākslas darbu: Anrī Martins

Šis vairāk nekā 130 gadus vecs mākslas darbs the crucifix izgatavoja mākslinieks Anrī Martins in 1887. The artwork measures the size Height: 16 cm, Width: 25 cm and was painted with the techinque Eļļa, audekls (materiāls). Šedevra teksts ir šāds: Paraksts — apakšā pa labi: "Henrijs Mārtins". Turklāt šo mākslas darbu var apskatīt šeit Maison de Victor Hugo - Hautevila nams kolekcija. Pieklājīgi no: Maison de Victor Hugo - Hautevila nams (publiskā domēna licence)Mākslas darba kredītlīnija:. Turklāt saskaņošana notiek ainava formāts ar attēlu attiecību 3: 2, kas nozīmē, ka garums ir par 50% garāks nekā platums.

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