Žans Hei, 1490. gads - Austrijas Margarēta - tēlotājmākslas apdruka

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šis 15th gadsimts artwork "Margaret of Austria" was painted by the vīrietis mākslinieks Žans Čau in 1490. Sākotnējā mākslas darba versijā tiek izmērīts izmērs: 12 7/8 x 9 1/8 collas (32,7 x 23 cm) un tika izgatavots ar tehnika eļļa uz ozolkoka paneļa. Mākslas darbs pieder digitālajai mākslas kolekcijai Metropolitēna mākslas muzejs, kas ir viens no pasaules lielākajiem un izcilākajiem mākslas muzejiem, kurā ietilpst vairāk nekā divi miljoni mākslas darbu, kas aptver piecus tūkstošus gadu ilgas pasaules kultūras, sākot no aizvēstures līdz mūsdienām un no visām pasaules malām. Pateicīgi: Metropolitēna mākslas muzejs, Ņujorka, Roberta Lehmana kolekcija, 1975 (publiski pieejams). : Roberta Lehmana kolekcija, 1975. Turklāt digitālās reproducēšanas pielīdzināšana ir portrets formāts un attēla attiecība ir 1: 1.4, kas nozīmē, ka garums ir par 29% īsāks nekā platums. Jean Hey was a male illuminator, painter of French nationality, whose art style was mainly Northern Renaissance. The French artist lived for a total of 24 gadiem - dzimis 1475 un nomira 1499. gadā.

Mākslas darbu specifikācijas muzeja vietnē (© - Metropolitēna mākslas muzejs - www.metmuseum.org)

The daughter of Emperor Maximilian I, Margaret of Austria was betrothed at the age of three to the infant dauphin Charles, the future Charles VIII, and served briefly as "queen of France" from 1483 to 1491. She is shown here around the age of ten, one year before she was repudiated by her intended husband. The initials C and M within the border of Margaret's collar (backwards C in the left border) probably signify their union. The chain of gold shells on her headdress may be part of the armorial insignia of the Bourbon dynasty with which she was then associated. The elaborate pendant of a pelican piercing its breast to draw blood with which to feed its young (the blood represented by the large hanging ruby), a symbol of Christian charity, alludes to the sitter's piety. These elements are mounted on a gold fleur-de-lis. Demonstrably showing her faith, Margaret holds a large gold filagree Paternoster bead of her rosary and looks to the right, presumably toward (what was originally) the object of her devotion. This panel likely formed the left of a diptych, whose right wing, now lost, may have represented a subject from Christ's Passion.

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• Iespiests akrila stikls (ar īstu stikla pārklājumu): A glossy acrylic glass print, which is often described as a an art print on plexiglass, changes your favorite original work of art into magnificient home decoration. In addition to that, the acrylic print forms a viable alternative option to canvas or dibond fine art prints. Your favorite artwork is manufactured with the help of state-of-the-art UV print machines. The major advantage of a plexiglass fine art copy is that contrasts and image details will be identifiable with the help of the very subtle gradation in the picture. Our real glass coating protects your chosen art print against light and heat for many decades.
• Audekla druka: A canvas print is a printed canvas mounted on a wood frame. Canvas Prints have the advantage of being low in weight. That means, it is easy and straightforward to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for any type of wall.
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• Plakāta druka (audekla materiāls): A poster print is a printed canvas paper with a granular finish on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6cm round about the artwork in order to facilitate the framing with your custom frame.

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