Tomass Kols, 1842. gads - Dzīves ceļojums: vecumdienas - tēlotājmākslas druka

Jūsu darbs IR Klientu apkalpošana 19th gadsimts glezna ar nosaukumu The Voyage of Life: Old Age gleznoja mākslinieks vīrietis Thomas Cole. The artpiece is part of the art collection of National Gallery of Art located in Vašingtona DC, Amerikas Savienotās Valstis. Mēs esam priecīgi atsaukties uz to, ka publiski mākslas darbs tiek nodrošināts ar pieklājību Nacionālā mākslas galerija, VašingtonaMākslas darba kredītlīnija:. Papildus tam izlīdzināšana ir ainava ar malu attiecību 3: 2, Kas nozīmē, ka garums ir par 50% garāks nekā platums. The painter Thomas Cole was a North American artist from United States, whose style can mainly be assigned to Romanticism. The Romanticist painter was born in 1801 Lankašīrā, Anglijā, Apvienotajā Karalistē, grāfistē un aizgāja mūžībā gadu vecumā 47 1848. gadā Katskilā, Grīnas apgabalā, Ņujorkas štatā, Amerikas Savienotajās Valstīs.

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• Audekla druka: A printed canvas applied on a wood frame. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the help of additional wall-mounts. A canvas print is suited for all kinds of walls.
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Oriģinālas mākslas darbu specifikācijas no Nacionālās mākslas galerijas (© - Nacionālā mākslas galerija - Nacionālā mākslas galerija)

Cole's renowned four-part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature's fury, evil demons, and self-doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.

From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, The Voyage of Life seems intrinsically linked to the Christian doctrine of death and resurrection. Cole's intrepid voyager also may be read as a personification of America, itself at an adolescent stage of development. The artist may have been issuing a dire warning to those caught up in the feverish quest for Manifest Destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.

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